Making One’s Mark Upon History

One of the most remarkable and well-preserved treasures from the ancient world, when increasingly sophisticated and well-organized civilizations began to emerge in the Near East, are carved stone seals in the shape of a cylinder, bearing a wide range of scenes and inscriptions that reflect the material culture, natural environment, political organization and the gods and goddesses of their time. 

 

The first appearance of cylinder seals in the ancient Near East dates well prior to the invention of cuneiform, to the Late Neolithic period in Syria.i The wish and need to affix a symbol of identity or certification to records of many sorts was perhaps the most significant driving force behind the development of this artistic technology but the desire to create, to make a statement and simply have one’s identity attested to by a beautiful image certainly contributed to the amazing three- thousand-year period of such seals popularity. During the more than three thousand years in which clay was used as the primary medium for cuneiform writing, the cylinder was the predominant shape for seals. Anywhere that the cuneiform script was used to record the native language, the cylinder seal was also used. Thus, the Hittites of Anatolia, the Elamites of Iran, and the Urartians in Armenia all used cylinder seals for administrative purposes. In addition, Egypt, with its hieroglyphic script, and the nonliterate cultures of Bactria in central Asia and the Iranian Plateau also used cylinder seals, particularly during the third millennium and the early part of the second. A lively and original style of cylinder-seal carving also flourished in preliterate Cyprus at the same time. In Mesopotamia, cylinder seals fell out of fashion only when the Aramaic script using ink on papyrus, parchment, or leather, began to replace cuneiform toward the middle of the first millennium.ii Sacred and secular ideas, fundamental to the beliefs of ancient Mesopotamian peoples, were visualized in the miniature images carved on the seals. The creators of these seals almost exclusively used intaglio, a technique in which the forms were cut into the stone, to create the raised impression. The challenge of the seal carver was to create a design that would maintain its balance and clarity when rolled out only half its length on a small surface or twice its length on a larger surface. Unlike much of the art of the ancient Near East, which survives only in a fragmentary state, cylinder seals are unique since they survive and can be seen almost exactly as they would have looked to the ancient people who used them in their daily lives and business.

References

i The earliest archeological evidence for the use of cylinder seals comes from the thrash pits of a small site in southwestern Iran called Sharafabad, where impressions of engraved cylinder seals were found mixed with Middle Uruk pottery dated to around 3700. From slightly later, both at the large site of Uruk (modern Warka in southern Mesopotamia and at Susa (biblical Shushan, modern Shush) in Iranian Khuzestan, we find preserved the full range of administrative documents and tools, including abundant evidence for seals. While locks for the doors for storage rooms and sealings over the cords securing the contents of vessels and other containers continued to be marked with seals, the Uruk and Susa evidence clearly indicates a need to record information that would soon lead to the invention of writing. Cylinder seals are closely associated with that process.
From: http://enenuru.proboards.com/thread/194/cylinder-seals#ixzz4uk5hOSIk

ii Gibson, McG and R.D. Biggs (eds.) 1977. Seals and Sealing in the Ancient Near East. Bibliotheca Mesopotamica 6, Malibu

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